The End of Ye Old Farmhouse?

A sad day indeed for Bath drinkers, this, and for anyone who cares even a jot about Bath’s historic pubs. After months of being boarded up and with rumours flying thick and fast, a notice has been posted saying that someone called Miranda Matthews wants to turn Ye Old Farmhouse into a health clinic (shouldn’t that be health farm? – ed).

If permission to convert it from a pub is not granted, however, then there will have to be a rethink. The more people object to the proposal, the more likely the council will be take the loss of this community asset seriously. The B&NES planning website is at The application reference is 14/00512/FUL. Comments have to be in by 20 March.

For those who weren’t lucky enough to visit the Farmhouse in its glory days, it was a seriously good pub not that long ago and could be so again. Long-time landlord John Bradshaw was a jazz fan and top-class jazz played on most nights of the week, with some first-rate performers turning up. What follows are some cuttings from newspaper articles and adverts relating to the Old Farmhouse, followed by a gallery of random shots taken in the pub over the years. Let us hope that, even at the eleventh hour, it is not only memories of Ye Old Farmhouse that are left.

An advert from 1857
An advert from 1857
An 1892 article from the Bath Chronicle
An 1892 article from the Bath Chronicle
Ye Old Farmhouse advertised for sale in 1895
Ye Old Farmhouse advertised for sale in 1895

PUB farmhouse little sign

PUB farmhouse bradshaw pic

Minolta DSC







The Project Venus beer is here!

If I’m honest, I have to admit it’s been ready for nearly a fortnight, but I don’t like to comment on a beer on its first tasting. I’d been waiting with great anticipation for the beer to be ready, so when I tweeted the Bath Brewhouse and they said it was on, i replied; ‘I’m on my way!’ I enjoyed it, though, knowing how much chocolate went in it, I’m surprised it wasn’t more chocolatey.  Some people were trying it, and when i asked one chap  for his opinion, he said at first, that he ‘thought’ he liked it.  SInce he went on to have two more pints, it seems he was completely won over.

I’ve tried it twice since – it’s very drinkable and not too malty.  Nor is it as heavy as some stouts. However, I think it’s a beer that improves the longer it sits in the barrel. It seems to be getting more flavour as time goes on. Sadly, Bath Brewhouse doesn’t have the room to store casks for long.  This is a shame, as I think keeping one cask for a year might result in a very interesting beer.

The brew was a one-off, so I advise people to get down there and try it before it goes.

This is the pump to look for.
This is the pump to look for.
So here it is - Venus Velvet - ABV 4.5%
So here it is – Venus Velvet – ABV 4.5%
And this gentleman gave it the thumbs up.
And this gentleman gave it the thumbs up.



Brewsters of the World Unite! Project Venus at the Bath Brewhouse

It was with a mixture of excitement and trepidation that I went along to the Project Venus meeting at Bath Brewhouse, on January 11th.  the full name is Project Venus UK and Eire and it was established in 2011 by a small group of brewsters (women brewers) to promote and further educate women in brewing and beer. It was inspired by the Pink Boots Society in America, which was created to empower women beer professionals to advance their careers in the beer industry through education.

Strictly speaking, none of this should be necessary.  In the Middle Ages, many ale-houses were kept by women – hence the expression ale-wife – and this led them into brewing.  Brewing was regarded as women’s work – indeed, the inventor of beer back in the dim and distant past was almost certainly a woman.  It was only with the rise of big brewing companies in the late eighteenth century that brewing was taken over by men.  However, the unstoppable rise of microbreweries has given women the chance to break back into what was their traditional territory and, as I was to learn, many have seized the chance.

I arrived bright and early, but Anna Schwäble, resident brewer at James Street Brewery, the in-house brewery at Bath Brewhouse, was already busy preparing the mash and consulting with Kathy Britton (Managing Partner, Oldershaw Brewery, Grantham), Claire Monk (Head Brewer, Welbeck Abbey Brewery) and Fiona MacEachern, (Brewster , Loch Lomond Brewery.)  They told me some suggested brews were sent to the host brewster, and Anna had opted for a chocolate stout.  Not only did the mash include both chocolate and caramel malts, they would be adding chocolate powder, and, later on, chocolate nibs (tiny fragments of chocolate) mixed into chocolate husks.  Meanwhile, more brewers were arriving as well as a couple of researchers from the University of Lincoln. In all, there were fifteen brewers and two researchers, plus myself and a brewster’s friend who had come along for the ride (literally.) There were soon discussions going on about ingredients, techniques, equipment, and the problems of improving premises.  Sue Hayward, of Waen Brewery had a number of unique problems. Living in a small Welsh town, Llanidloes, it is sometimes difficult to get some of her ingredients.  Without the internet, she said, she would find it difficult. The chilli flakes for their wildly successful Chilli Plum Porter were a good example.  So successful had this beer been, along with their award-winning Blackberry Stout, that they have had to install new equipment which will take them from a 5 barrel plant to an 18 barrel plant, though she does not intend to leap straight from one to other.

I had a long chat with Emma Turner from the Mighty Hop Brewery, based in Lyme Regis.  We had mutual friends – John and Becky Whinnerah of Art Brew. Becky, unfortunately, was not well enough to come.  Emma is a lively, feisty lady, but she gave me an insight into some of the prejudice that brewsters face. She was giving a tour to a CAMRA group when one of the men turned round and told her she had no right to call herself a brewer.  ‘Let’s admit it,’ he said, ‘you’re just doing what your boss tells you.  You’re just a dogsbody. That’s not being a brewer.’  If this sort of thing is coming from CAMRA members who ought to know better, we should not be surprised if prejudice comes from others too.

I also talked to Jaime Clowes who now works at Sambrook’s Brewery.  She got bored with her office job, and as she was already an experienced home brewer, she worked part time at Sambrook’s before being taken on.  I asked her what she thought she would get out of these Project Venus meetings.  She said it was good to meet like-minded people, and that many of the top brewsters were role models for her. It was clear there was a happy interchange of ideas going on, and she said that was a benefit to her, but above all, it gave a sense of community, important if you’re in a minority.

I could see what she meant by role models. Top of the list among the attendees must be the formidable Sara Barton, founder of Project Venus and winner of Brewer of the Year from the Guild of Beer Writers in 2012.  She makes a virtue of being a woman – her business is called Brewster’s Brewery, and one of her ranges is named after Wicked Women.  Michelle Kelsall, of the Offbeat Brewery of Crewe, proudly declares on all her pump clips that her beer is ’brewed by a chick’.  It hasn’t stopped her winning several awards.  Amanda Seddon and her friend Kathryn Harrison, united by their love of good beer which they discovered after Amanda’s husband took them off to beer festivals, finally started up their own brewery.  It’s called Wilson Potter, based in Manchester, and its beers are already attracting praise.

Sara Carter is Head Brewer at the long established Triple fff brewery.  She joined in 2008, and in 2012 took the top job when Graham Trott retired.  Another attendee was Angela Würges, from Zerodegrees in Reading. And then there was the unforgettable Lizzie Ellis.  Her sister is Victoria Ellis of Lincoln University, who came with a fellow researcher, Agnieszka Rydzik, as they are working on a project about women in brewing.  The sisters had been educated in Australia, but when they came home, Lizzie was told her qualifications would not be recognised. For a time, as she admitted, she drifted.  The sisters had dreams of making the big time with their band the Almaboobies, in which Lizzie is a talented bass guitarist and vocalist. They soon decided life on the road was not for them, although the band is still together.  Their parents were, by now, running a pub in Horncastle, Old Nick’s Tavern, and her mother was invited on a brewery tour.  Lizzie went along and it was love at first sight.  She knew this was what she wanted to do.  She worked her way up in a small local brewery, including working for nothing for five months as she learnt the trade from top to bottom, doing sales as well as brewing.  However, due to ill-health, the owners felt they had to cut back – but Lizzie is not out of work. Her father is now opening a small microbrewery behind the pub, and Lizzie will be head brewer.

There must be something about brewing that draws people.  The appropriately named Sarah Hughes now works for S A Brains as a lab technician, checking quality. Like Jaime, she had been in a desk job, but, after taking a brewing course, had been employed as a brewer for two years, but had moved.  She is desperate to get back to brewing.

The last attendee was Jane Peyton.  Jane not only writes about beer, she’s a beer sommelier, brewer, and gives tutored tastings.  She also knows about whisky.  She was wearing a T-shirt with a superb design by her sister Helen – a pint of beer labelled ‘Perfection.’ She‘s a mine of information as there’s not much about alcohol and its history that she doesn’t know.  She is planning a fruity porter with one of the brewers, and there was much discussion over flavours.

It was a fascinating day, if very intensive.  I felt really tired at the end – and it wasn’t just beer I’d drunk.  I had learnt a lot, not least how keen brewsters are to co-operate with each other.  I learnt that the wort used to be called ‘brewer’s breakfast’ and that an egg would be added to a glass of it. (It’s unbelievably sweet as I discovered when I tasted it.)  I found out why Oyster Stout is so called.  Back in the days when oysters were a poor man’s food, the shells were often used as a cheap way of clearing beer.  Then, as beer was made more nutritious, by adding other ingredients such as milk, it was decided to add whole oysters. I listened to a discussion about whether it was better to have short hair which could be put under a cap or long hair which could be clipped back.

Finally, we decided on the name of the beer.  It’s to be called Venus Velvet, and it should be ready by about the end of January. Now all we need are more women to enjoy it – and some to decide that brewing is the career for them. As the brewsters readily admitted, it’s hard, physical work, but it allows you to be practical and creative at the same time.  And Project Venus and its members are there to help anyone who wants to go down this path.

Serious discussions as Anna prepares the mash
Serious discussions as Anna prepares the mash
Jaime shows they really are packets of cocoa powder.
Jaime shows they really are packets of cocoa powder.


Anna adds the cocoa powder.
Anna adds the cocoa powder.









The brewsters gather.
The brewsters gather – Emma, Amanda, Kathy, Claire, Lizzie, Sue, Anna, Samantha, Michelle, Jaime, Anna, Fiona
Claire and Amanda take a serious look at the chocolate nibs.
Sara from Triple fff (left), Anna from Zerodegrees Reading (centre) and Sue from Waen Brewery (back to camera) discuss brewing procedure.
Sara from Triple fff (left), Anna from Zerodegrees Reading (centre) and Sue from Waen Brewery (back to camera) discuss brewing procedure.
The two Annas
The two Annas
The group smile for Lloyd, the Bath Chronicle photographer.
Front row, Fiona, Anna, Sara, Michelle
Back Row Emma, Amanda, Jaime, Anna, Kathy, Sara, Lizzie, Sue
While Lloyd finds himself a bit overwhelmed by the gathering of brewsters, Victoria and Agnieszka continue their research.
Jane Peyton helps to empty the mash tun.
She then adds the hops.
She then adds the hops.
Agnieszka conducts research by helping to empty the mash tun with Jaime helping.
Lizze declares her view on women in brewing with her T-shirt.
Lizze declares her view on women in brewing with her T-shirt.
Finally Anna adds the chocolate nibs.while Claire looks on anxiously.
Finally Anna adds the chocolate nibs.while Claire looks on anxiously.
Fiona and Sue talk beer and beer styles.
Fiona and Sue talk beer and beer styles.
Sara and Jane consider a secret ingredient
Sara and Jane consider a secret ingredient
They then try it out.
They then try it out.
What all brewers and brewsters are aiming for. (A design by Helen Peyton)
What all brewers and brewsters are aiming for.
(A design by Helen Peyton)












The Sorry End of Another Bristol Pub

Nothing illustrates more graphically the plight of so many of our pubs than the sad fate of the Kings Arms on Little Paul Street in Kingsdown. Not that well known a boozer perhaps, set as it was off the beaten track in the middle of a housing estate. Many people – even dedicated pub crawlers – may not have come across it. But, if you are struggled to locate it, It lies roughly midway between two of the best-known pubs in Bristol – the Highbury Vaults on St Michael’s Hill (now with Bath Ales Beerd across the road) and the Green Man on Alfred Place, the Dawkins’ Ales pub known until about five years ago as the Bell. The Kings Arms had been there since the 1820s and could, given the right level of support, been as successful and popular as either of those aforementioned pubs. It was certainly a handsome and commodious building, with plenty of space to host all manner of events – but in this case ‘was’ is the appropriate word, for, after closing in 2010, an application to convert it to student accommodation was submitted. An initial refusal was overturned on appeal, and within the last week, the building – all except for its facade – was bulldozed to create ‘student cluster flats with an office and letting agency’. The first two pictures show it as it looked in June this year, the last three were taken yesterday (7 January). Not perhaps the more cheerful note to start the New Year on, but have a good one anyway.

kings arms kingsdown facade 3 kings arms kingsdown facade 2 kings arms kingsdown facade 1

Beer & pub related literary events in Bristol: No 1 Marks Steeds and the Seven Stars

Last Saturday, 7 December, as part of a local book fair at the Create Centre in Bristol, publican, publisher and local historian Mark Steeds gave a talk on slavery, focusing on two characters – St Wulfstan, who brought the slave trade between Bristol and Ireland in the eleventh century to an end, and Thomas Clarkson. Wulfstan once lived at Hawkesbury Upton in South Gloucestershire, where Mark is the landlord of the excellent Beaufort Arms, while Clarkson was closely associated with a pub in Bristol – the Seven Stars.

1 SEVEN STARSThe Seven Stars is one of Bristol’s oldest inns. It is also – for those who don’t know the city – one of the most difficult to find. Its location, tucked away down an alley well away from the city centre and not too near the docks, was, in the bad old days, something of an advantage. Not only could it escape the prying eyes of the city fathers; it was at a safe distance from all the nefarious goings-on at the dockside.

The most nefarious goings-on, of course, were those connected with the slave trade. Far from being outlawed, however, those who dabbled in this evil trade were honoured by the city. Some, like Edward Colston, still are. Despite official assurances that the slave trade was a well-run business, with the slaves well looked-after, many people harboured grave doubts, fuelled by tales of what really went on.   


In 1787, a national association for the abolition of the slave trade was established. One of its founders was Thomas Clarkson, a 27-year Cambridge-educated clergyman who had determined to devote his life to the abolition of slavery. As he wanted to gather as much evidence as possible to use against the slave traders, it was natural that one of the first places he should visit was Bristol.

Abolitionists in Bristol were in an invidious position. Bristol had grown rich on the slave trade; to attack it was to attack the basis of the city’s prosperity. Clarkson and his co-conspirators – as they were undoubtedly seen by the authorities – had to operate by stealth if they were to get the information they needed.

Clarkson’s initial reaction to Bristol was not favourable. On seeing the city for the first time, he wrote that ‘it filled me, almost directly, with a melancholy for which I could not account. I began now to tremble, for the first time, at the arduous task I had undertaken, of attempting to subvert one of the branches of the commerce of the great place which was now before me.’

He found most doors closed against him. ‘The owners of vessels employed in the Trade there,’ he wrote, ‘forbad all intercourse with me. The old captains, who had made their fortunes in it, would not see me. The young, who were making them, could not be supposed to espouse my cause to the detriment of their own interest.’

Clarkson had been told, however, that sailors had ‘an aversion to enter and were inveigled, if not forced, into this hateful employment’. Disgruntled sailors would, he figured, be the best source of information about the slave trade. The problem was finding them. He was a middle-class clergyman; the men he wanted to interview would be found in the roughest parts of one of the most dangerous cities in the land. Not only that: he was, as far as the slave traders were concerned, a marked man. He was almost killed in Liverpool, England’s other main slave-trading port, by a bunch of roughs hired to assassinate him, and he was obviously keen to avoid a similar confrontation in Bristol. 

Fortunately, not all of those who wanted the slave trade abolished were middle class. Clarkson was introduced to a man called Thompson (we don’t know his first name), the landlord of the Seven Stars. Clarkson described him as a very intelligent man who received sailors discharged at the end of their voyages and helped them find places on other ships. He refused to have any dealings with the slave trade, aware that his reputation – and the reputation of his inn – would be ruined if he sent those who entrusted themselves to his care onto slave ships.

With Thompson as his guide, Clarkson made 19 visits to various public houses in Marsh Street used by masters of slavers to pick up hands. They generally set out around midnight and returned two or three hours later. From his own observations and from information given him by Thompson, Clarkson gathered ample evidence to confirm his suspicions that sailors were inveigled onto slave ships by lies and fraud. Getting them blind drunk or cracking them over the head in a dark alley were also regarded as legitimate means of recruitment. 

Clarkson was also able to prove, using information from muster rolls, that, far from being a ‘nursery for British seamen’, as anti-abolitionists claimed, slave ships were floating graves for sailors and slaves alike, with far more sailors dying on slave ships than on all the other vessels sailing out of Bristol put together.

The evidence Clarkson collected provided the abolitionists with an unanswerable case for reform. Hard facts, rather than opinion and hearsay, could be used to counter the anti-abolitionists’ claims that the slave trade was well-run and well-regulated. It took 20 years from the time Clarkson stepped over the threshold of the Seven Stars for the slave trade to be abolished, but his work in Bristol created a momentum that was unstoppable.

The scope of Clarkson’s work in Bristol would almost certainly have been far less comprehensive and have had far less impact if it had not been for the courage of the landlord of the Seven Stars. It was Thompson who provided him with an entrée to places he would not have dared go and to people who would not otherwise have trusted him.

Given the importance of the Seven Stars not only to Bristol’s heritage, but also to national and international history, it is astonishing it is so little known. Admittedly, the Civic Society put a blue plaque above the door a few years ago, but that was about it until Mark Steeds decided that something more was needed.

He came up with the idea of a large plaque commemorating Clarkson, and highlighting the role played by the landlord of the Seven Stars in the abolition movement. Bristol Radical History Group took up the idea and Mike Baker was commissioned to produce a plaque. The aluminium casting was unveiled at lunchtime on 1 May 2009, the 202nd anniversary of the abolition of the slave trade in Bristol and other British ports.

Mark Steeds at the unveiling ceremony
Mark Steeds at the unveiling ceremony

A prestigious line-up of speakers included Mark Steeds, who introduced the Seven Stars as ‘the pub that changed the world’, Roger Bell, from the Bristol Radical History Group, who gave a stirring resumé of Clarkson’s life and influence, Madge Dresser from the University of the West of England, who has written extensively on the slave trade, and Mike Baker, who described Clarkson one of the ‘greatest Britons’.

This sentiment was echoed by Paul Stephenson, the well-known local civil rights campaigner, who first came to prominence in 1963 when he organised a boycott of Bristol’s buses after the company refused to employ blacks or Asians. The 60-day protest, supported by thousands of local people, ended with the company backing down. Later, his refusal to leave a Bristol pub that had a colour-bar led to a court appearance and national media coverage. His campaigning on these and other issues influenced the framing of the government’s first anti-discrimination laws in 1965, so he is well placed to appreciate the difficulties Clarkson and other abolitionists faced and the convictions that sustained them. In a short but powerful speech, he emphasised not only the centrality of Clarkson to Bristol’s history, but also his role in the ongoing struggle for civil rights. He also called for Clarkson’s name to be taken up by the city council in recognition of his achievement instead of that of the now discredited Colston.

The plaque was unveiled by Richard Hart, a civil rights lawyer from Jamaica who played a key role in the transition from colonial rule to independence in the Caribbean and was Attorney General of Grenada before the American invasion of 1983, since when he has lived in Bristol.


Clarkson’s and Thompson’s story is still an inspiration today, demonstrating not only that if you believe something strongly enough you can change the world, but also that it doesn’t matter who you are – be it a Cambridge-educated clergyman or a pub landlord. The plaque on the Seven Stars is a first step towards raising the profile of one of the greatest Britons in a city that has so far paid him scant recognition. That it will also help raise the profile of one of Bristol’s best – and most elusive – pubs is another bonus.

If you haven’t yet discovered the Seven Stars, you’ll find it if you cross Bristol Bridge, head towards Temple Meads station along Victoria Street, take the second right into St Thomas Street and then turn right (between the Fleece & Firkin and St Thomas’s Church) into Thomas Lane. There really is no better place to toast Clarkson’s memory.



Mouse Racing at the Royal Oak in Widcombe

Ten years ago, when we published Bath Pubs, we included the information that in the 1940s and early 1950s mouse racing nights were held at the Royal Oak in Widcombe. By all accounts, these sounded very popular, although details of what took place were scant. Quite by chance, I have come across a film of a mouse racing night at the Royal Oak while Googling something else, which proves, if nothing else, that the internet is a wonderful thing. Even if you’ve no idea where the Royal Oak and are not remotely interested in mouse racing, it is worth watching for an idea what counted as in-house entertainment 60 years ago.    It can be viewed here. 


The Craft Beer Revolution in Bristol – or Today King Street, Tomorrow the World!

I’ve been meaning for some time to write about the craft beer bars opened in Bristol over the past year. Every time I decide to do something about it, though, it seems that another one’s opening up – another one that needs to be included, and of course to be visited and checked out.

Enough excuses. With apologies to anyone au fait with the craft beer scene in Bristol, what follows is a lightning tour of what’s happened over the last year.

It hardly seems possible that a little over twelve months ago, craft beer was largely unknown in Bristol – unless, that is, you include Zero Degrees, but more of that in a later blog.

1 BREW DOGTo all intents and purposes, it was the opening of the BrewDog pub in the old Sceptre Inn on the corner of Baldwin Street that kicked everything off. There’s been a pub on this site for a very long time. In the 1750s it was known as the Ship, before it was rebuilt and renamed the Sceptre in the late nineteenth century. It had been a sandwich bar or some such for several years before being revamped in grand style with ‘Welcome to the Craft Beer Revolution’ writ large on its plate-glass windows. When it threw open its doors, it was busy from the off, with many seasoned drinkers suddenly confronted with something new and exciting. Bristol’s drinkers, it seemed, couldn’t get enough of it.  

And, on the basis of ‘if they can do it, so can we’, others took up the challenge. Among the first were two of the best established cask ale pubs in the city. Both, as it happened, were taps for local breweries – the Barley Mow on Barton Road in the Dings for Bristol Beer Factory and the Three Tuns on St George’s Road for Arbor Ales. Both breweries and pubs were (and still are) very much at the top of their game, innovative, exciting, award-winning and all the rest. That’s why they decided not to stand still and do what they’d done in the past but to embrace the craft beer revolution, while maintaining a commitment to cask beer. It’s really all about quality, and about offering increasingly sophisticated drinkers what they want – even if they may not know what they want until they get it. Traditionalists – and anyone who likes decent pubs – will be pleased to learn, however, that both the Barley Mow and the Three Tuns are very much in the mould of the traditional welcoming backstreet pub.

Up at the top of St Michael’s Hill, meanwhile, Bath Ales went for something a little different, opening Beeerd, a craft beer and pizza joint opposite the Highbury Vaults, and launching a splendid new microbrewery – also called Beerd – to brew for it.

The next three craft beer bars to open were somewhat larger. Up on Stokes Croft, the

Crofter's Rights
Crofter’s Rights

owners of the Euston Tap in London, who’d already been serving craft beer alongside the bowling alleys at the Lanes in Nelson Street, took on the Croft. They renamed it Crofter’s Rights, stripped this fascinating old building – once an eighteenth-century coaching inn called the Swan – back to basics, turning it into a high-vaulted gothic fantasy of an ancient beer hall in an obscure Hanseatic fiefdom, adorned with little more than a gleaming row of beer taps.

Down on King Street, opposite the Theatre Royal, meanwhile, the Royal Naval Volunteer (or Volly as it’s more usually known) had a subtle renaming to the Royal Navy Volunteer, along with a thoroughgoing revamp and a similarly stunning choice of kegs and cask beers. Others may like the decor, the comfy chairs or the dim lighting, but for my money what really stands out – apart from the beer  of course – is the splendid way the beers are listed on a couple of boards – no more jostling at a long and crowded bar trying in vain to see what’s on the pump clips and eventually opting for something you recognise nearby.

Right next door to the Volly (and downstairs, so don’t be put off by the deserted range of seats and tables around the closed mini-bar on the ground floor) is the Beer Emporium – in the vaults to be precise. Anyone familiar with bars and clubs in vaulted premises in Bath and indeed in other parts of Bristol may now be thinking ‘cosy’ at this stage. Well, welcoming, friendly and awesomely arrayed the Beer Emporium may be, but these are vaults on an industrial scale – with a range of beers to match. The beer menu alone is a thing of multi-leaved beauty – hardly surprising when you consider that a fridge the length of one of the longest bars in Bristol is stocked full of obscure and wonderful things.

And, as if all that was not enough, last week the old Bunch of Grapes across the road –

The Small Bar
The Small Bar

more recently known as the Sublime Bar – opened as the Small Bar (a reference to the big bars across the road, perchance?) Small – although not actually that small – but perfectly formed, with more beers on offer than you’ll find in most medium-sized towns. And a minimalist makeover that makes the most of the building’s eighteenth-century pedigree.Plus a one-barrel brewery at the back which local microbrewers will be invited to collaborate to brew wondrous concoctions for the pub.

And last weekend, if you’d chanced along King Street, you’d have found a beer festival in a marquee in the middle of the street – free entry, with a superb selection of beers straight from the barrel – all courtesy of the Beer Emporium.

To call all this a revolution hardly seems an exaggeration. As far as King Street goes, its rather lacklustre reputation beerwise has been well and truly trounced. If there is,

anywhere in the world, a better selection of world-class beers in a compass comparable to that of the King Street Triangle – Volly, Emporium and Small Bar – then I’d like to hear about it.

And then there are all the other bars and bars who’ve signed up for the revolution – the Portcullis in Clifton with a couple of craft beer taps, the Colston Yard, the selection of bottled beers at the Bag O Nails and (so I am told) at the Hophouse – and no doubt several others I’ve not come across yet.

And, with all that happening in just over a year, who knows what 2014 holds. These are exciting times, not just for craft beer, but for all beer, and for all drinkers. Today King Street – tomorrow the world!

The Barley Mow in the Dings
The Barley Mow in the Dings
The Three Tuns
The Three Tuns
Beerd on St Michael's Hill
Beerd on St Michael’s Hill
Crofter's Rights
Crofter’s Rights

6 RNV3

The Royal Navy Volunteer
The Royal Navy Volunteer
Spoilt for choice at the Royal Navy Volunteer
Spoilt for choice at the Royal Navy Volunteer
The bar at the Beer Emporium - with a bottled beer fridge just as long
The bar at the Beer Emporium – with a bottled beer fridge just as long
Inside the Small Bar
Inside the Small Bar
Another view of the Small Bar - the dog was friendly, by the way
Another view of the Small Bar – the dog was friendly, by the way
The Beer Emporium Beer Festival
The Beer Emporium Beer Festival












On the Trail of Devon’s White Ale



In recent years the growth of microbreweries has led to the revival of many long defunct beer styles. One legendary Devon brew has yet to be resurrected, however, which, given its long-standing popularity, seems something of a missed opportunity.

The history of Devon white ale is shrouded in mystery and confusion. One thing is clear, however: it had absolutely no connection with Dutch witbier or German weissbier, which are brewed with wheat. Devon white ale, in fact, seems to bear no relation to any other known beer style. It has frequently been claimed that it was confined to the South Hams, yet in the mid-nineteenth century it was brewed in at least 44 Plymouth pubs.

Another bone of contention is the so-called secret ingredient essential for brewing this elusive liquor. Some sources state categorically that the recipe was known only to the members of one family and handed down from generation to generation; others imply it was common knowledge? And as to where it was first brewed, although Dodbrooke (now part of Kingsbridge) is the name that most frequently crops up, Dartmouth, Plymouth and even Germany have also been suggested.

The first, albeit rather dubious, reference to white ale is said to come in Andrew Boorde’s Dyetary of Health, published in 1542. Boorde is chiefly remembered today for his intemperate attack on the use of hops in beer. He was rude about other things as well, including Cornwall, which he described as

 a poor and very barren country of all manner thing, except tin and fish. Their meat, and their bread, and drink, is marred and spoilt for lack of good ordering and dressing … Their ale is stark nought, looking white and thick, as pigs had wrestled in it.

Although he added that Cornish ale ‘will make one to cack, also to spew’, he gave no details about how it was brewed, which suggests this may have been simply a conventional unhopped ale marred by careless preparation. And, as this is the only time that Cornwall features in the story of white ale, we will move swiftly on to 1736 and the first unequivocal reference to it.

This comes in William Ellis’s London & Country Brewer, a compendious tome in which we are told that ‘the Plymouth people … are so attach’d to their white thick ale, that many have undone themselves by drinking it’. Unlike Boorde, Ellis gives details of how this seductive tipple was brewed:

Their white ale is a clear wort made from pale malt, and fermented with what they call ripening, which is a composition, they say, of the flour of malt, yeast, and whites of eggs, a nostrum made and sold only by two or three in those parts, but the wort is brewed and the ale vended by many of the publicans, which is drank while it is still fermenting in earthen steens, in such a thick manner as resembles butter’d ale, and sold for twopence-halfpenny the full quart. It is often prescribed by physicians to be drank by wet-nurses for the increase of their milk, and also as a prevalent medicine for the colic and gravel.

Two years later, in the third volume of The London & Country Brewer, Ellis returned to the subject of white ale,

in order to set forth its excellency, and pave a way for its general reception in the world. To this end I write with an eager pen, by the inducement of the best qualities belonging to a public liquor, viz. pleasure and health. About 60 years ago (as far as I can learn) this drink was first invented at or near the town of Plymouth … This liquor is brewed from pale malt, after the best method known in the western parts of this county; and as it is drank at Plymouth, in particular by the best of that town, the alewives whose province this commonly falls under to manage from the beginning to the end, are most of them as curious in their brewing it, as the dairywoman in making her butter; for as it is a white ale, it is soon sullied by dirt, and as easily preserved in its frothy head … And, though the wort is brewed by the hostess, the fermentation is brought on by the purchase of what they call ripening, or a composition (as some say) of the flour of malt mixed with the whites of eggs. But as this is a nostrum known but to a few, it is only guessing at the matter; for about 30 years ago, as I am informed, there was only two or three masters of the secret, who sold it out as we sell yeast, at so much for a certain quantity; and that every time a new brewing of this sort of ale happened a great ball or lump of it was generally sufficient to work four or five steens of wort, and convert it from a very clear body into a thick fermenting one, near the colour and consistency of butter’d ale, and then it was only fit to be used; for if it was let alone to be fine or stale, it was rejected as not worthy of buying and drinking. Yet some out of curiosity have kept it in bottles, rack’d it off clear, and made of it flip and other compositions very good. Now this white ale being fermented into such a gross body, becomes a sort of chyle ready prepared for digestion in the stomach, and yet so liquid as to pass the several secretory ducts of the animal system soon enough to give room for new supplies of this pleasant tipple, even at one common sitting in a public house: For though this drink is not so thin and clear as the brown sorts, yet by its new, lubricious slippery parts, it is soon discharged out of the stomach; and notwithstanding such evacuations, it leaves a very nutritious quality behind it in the body, that brings it under a just reputation for preventing and recovering those who are not too far gone in consumptions; and therefore would be of extraordinary service to labouring people. In short, this famous liquor is of such a salubrious nature, as renders it a most agreeable drink both to the sedentary and active person; which plainly shows the transcendent quality peculiar to this white ale, beyond all other malt liquors whatsoever. For who dare, nay who can make so free with any new beer or ale, while it is under fermentation, as with this, and that by reason of the poisonous quality of the yeast, and the fulsome, nauseating, unwholesome nature, that such working drinks are endowed with; whereas this invites one to drink it as fast as any of the common brown or pale ales, and at the same time administers to the body such medical assistance, that no other malt drink, wine, nor any potable liquor now in use, as I know of, comes up to it, not only for the aforesaid intention, but it is likewise usually prescribed by physicians as a remedy in the colic and gravel by its lubricating, diuretic nature … Its strength also is so great, that though it is drank while working, it is as intoxicating as the common ales or beers; for by the time a man has drank a quart or two to his share, he will find it enough to go off with; and if anyone thinks fit to make it stronger (as is often done) it is only adding half a pint of sherry with a little loaf-sugar and nutmeg, and then it will not only be strong, but very pleasant; and sometimes entertaining to a fault; insomuch, that several have been enticed by its luscious, stimulating taste and cordial quality, to a degree of extravagance, by their too frequent expense of money and time in the enjoyment of this delicate improv’d ale.

Given such a ringing endorsement, it is surprising that white ale did not catch on elsewhere. Perhaps this had something to do with the availability of that all-important secret ingredient, although strangely enough this was not mentioned by the next writer to sing its praises. This was the anonymous author of Every Man His Own Brewer, an early home-brew manual published in 1768:

This drink is prepared from pale, slack dried malt of the lowest quality, and without the use of any hop, or other alkaline preservative, as being for spending immediately after fermentation, which is brought about without yeast, in the following manner:

When the extract is drawn off into the wort tun, a paste is prepared from wheat flour, bean flour or malt flour, it matters not which, except as to body; either of these flours are made into a paste with white of eggs, and being thrown into the wort sets it a fermenting, whence arises a fine white froth, which no sooner falls than the liquor becomes drinkable, tho’ not fine, nor is usually permitted so to be, as it then turns stale, but is for the present extreme brisk and agreeable.

This is not cleansed into casks as other ales, nor is a wort tun, as above mentioned, commonly employed; but as great neatness is requisite, it is most usually let down from the mash into glazed jars called steens, and worked in, and drawn from them for use …

Charles Vancouver, the progenitor of the myth that white ale could only be found in the South Hams, was in no doubt about the importance of ripening, however, which he called grout. In his General View of the Agriculture of the County of Devon, published in 1808, he wrote that

the brewing of a liquor called white ale is almost exclusively confined to the neighbourhood of Kingsbridge: its preparation, as far as could be learnt by the surveyor, is 20 gallons of malt mashed with the same quantity of boiling water; after standing the usual time, the wort is drawn off, when six eggs, four pounds of flour, a quarter of a pound of salt, and a quart of grout are beat up together, and mixed with this quantity of wort, which, after standing twelve hours, is put into a cask, and is ready for use the following day. This beverage possesses a very intoxicating quality, and is much admired by those who drink not to quench thirst only. A mystery hangs over the ingredient called grout, and the secret is said to be confined to one family in the district only. No difficulty however could arise in ascertaining its component parts, by submitting a certain portion of it to the test of a chemical examination. That this liquor is of considerable antiquity is plain, from the terrier of the advowson of Dodbrooke, and which expressly calls for the tithe of white ale. The present worthy incumbent commutes this claim, for half a guinea annually from every house in the parish where this ancient beverage is retailed.         

Dodbrooke was also cited as the birthplace of white ale in White’s 1850 Directory of Devon, which added that ‘it is said to have been introduced by a German regimental surgeon, some centuries back, at Dodbrooke’. This German connection is intriguing, but, as this seems to be the sole reference to it, it may be as much of a red herring as Vancouver’s claim that white beer was only brewed in the South Hams.           

A correspondent in the Exeter & Plymouth Gazette for 12 January 1856 gave further details of Dodbrooke’s claim to be the place where white ale was first brewed:

Dodbrooke is certainly the first known as the first place where white ale was brewed. I think this is borne out by the fact that a tithe … is paid by all innkeepers who brew this ale. It has been gradually raised from tenpence until it has reached the present sum of a guinea. It is also further proved by some old papers still preserved in the parish church of Kingsbridge, from which Dodbrooke is only separated by a small stream of water which runs below the pavement, bearing the date of 1528 … in which mention is made of this ale … What I consider the strongest proof of the claim of Dodbrooke to the invention of white ale is that a family, who have resided here and in Kingsbridge in a direct line of descent for years before 1528 to the present date, are the only persons who possess the receipt for making the mixture which produces white ale, and this receipt is or has been preserved by the family as an inviolable secret. This mixture, which is known by the name of grout, is, at a particular stage of the brewing, put into, and mixed with, the wort, and as soon as the process is finished the result is white ale, a truly delicious beverage. All innkeepers are obliged, previous to brewing, to send to the representatives of this family for the necessary quantity of the mixture, without which no ale could be made.   

Not everyone was convinced by the claims surrounding this so-called secret ingredient. In 1828, for example, Samuel Gray published a recipe for white ale in The Operative Chemist:

Pale ale wort 25 gall, hops 2 handfuls, yeast 3lb, grouts 6 or 8lb. When the fermentation is at its height, bottle in strong stone half pints, well corked and wired; it effervesces when opened. The grouts here mentioned are made by infusing 6 or 8lb of malt in a gallon and a half of water, covering it warm by the fire side, stirring it often: when in full fermentation it is to be boiled down to a thick paste.

This is a singular instance of a supposed secret which has been published upwards of a hundred and fifty years. The natives of Kingsbury [sic], in Devonshire, pretend that they alone can make white ale, and there is one family that pretends to the exclusive possession for the secret of making grouts. Now the method of making grouts, and from it white ale, was published in Bauhin’s Historia Plantarum, being then the common English ale.    

In 1850, a more detailed recipe appeared in The Publican, Innkeeper & Brewer’s Guide:

Mash one sack of pale malt or pale and amber malts with sufficient liquor at 170 degrees to draw off 30 gallons. Stand two hours and a half; set tap and turn over as much liquor at 180 degrees for second mash as will draw off 30 gallons more. While the second mash is standing, lade or pump the first wort into the copper; add half a pound of hops and increase the heat gradually while the second wort is running off, which add to it. Boil the wort very slowly for 20 minutes or half an hour. When it begins to get cloudy, or to break, which may be seen by dipping out a little in a basin, it is then boiled enough, for this must not be boiled so long as for beer. Run it off into the coolers with the hops, and cool down as speedily as possible to about 80 degrees in winter and about 60 in summer, and pitch the tun or square. While it is running into the square, mix a portion of the wort with 24 pounds of fine wheaten flour and 24 fresh eggs into a thin smooth batter, and then put it into the whole with one pound of salt, and set to work with one pound of ripening … Cover it well up. In ten hours a fermentation will be visible all around the sides of the tun or square, which will increase until it forms a thick head over the whole surface, about as thick as a penny piece. It will then break into little white heads which will fall back, at which point it should be cleaned by passing it through a fine wire sieve into twelve or fourteen-gallon casks with the heads out. Put them in a place where there is no draught, that the liquor may not chill, and let it be well covered, that it may continue fermenting for eight or ten hours longer, when it will be fit to drink. A thin brown head will then be formed on the top, which should remain undisturbed, to keep the ale fresh under it. Should this head begin to break away, and fall through the liquor, it may be skimmed off, or it will be drawn off with the ale and spoil its appearance.

 All of which seems straightforward, apart from that reference to ripening. This was, you will not be surprised to learn, that secret ingredient, although the author of the Guide seems unsure about just how secret it was. He starts by telling us that the recipe has been ‘held by one or two families for many years, no one else in the neighbourhoods where the ale is drank but these knowing how to prepare it’. He then explains that ‘the ripening, sold at Plymouth, for causing the fermentation, is a mixture of malt, hops and wort, which is quite sour, and without any appearance of fermentation, and is evidently a preparation in which a natural state of fermentation has occurred.’ He goes on to say, however, that, if ripening is not available, some of the first wort, mixed with malt and hops, or the first mash, should be ‘close corked’ for three or four days  in a warm place. This will, he claims, produce ‘the same result … without having recourse to the ripening’.

 More light was shed on the mystery of the secret recipe for grout or ripening in a paper presented to the Devonshire Association at Kingsbridge in 1877 by a local historian called Paul Q Karkeek:

 By what means grout in the South Hams became a secret I cannot explain: doubtless someone devoted attention to it, and so was enabled to produce a ferment that could be relied on; and consequently was in a position to leave the method a secret for his children. This secret came into the Randall family with a Miss Grace Stentiford, who married the grandfather of the present generation of Randalls, about the year 1770. At one time its manufacture produced a very good income, but the railroads, and other destroyers of old-fashioned ways and doings, introduced the clear ale and beer of today; and it has not been made by the Kingsbridge Randalls for some years. It is still sold by a person of the same name, living in Plymouth; but others have set up claims to possess the secret, and have produced a ripening or grout which has answered all the purposes of the original.

 Mr Karkeek was determined to get to the bottom of the mystery, however, and obtained a sample from John Randall, the ‘white ale ripening maker’ at 38½ Old Town Street, Plymouth, alluded to above. He sent it to an analytical chemist in Yorkshire, who prepared the following report: 

 The sample had a peculiar odour and very acid reaction, and contained ground malt and hops, plainly visible to the naked eye. As it is composed of a very complicated organic mixture, it is next to impossible to make a proximate analysis of its constituents chemically; and, as such is the case, I had to depend on microscopical examination … The fine deposit, when separated from the malt and hops, and which I may term the yeast, is made up of yeast cells (torulae) and wheat starch granules, in about equal proportions. In treating it with iodine, this was plainly proved without the microscope, and under its power, much albuminous matter, small scales of hops, etc, were very easily distinguished.

The great peculiarity in the grout was the shape and size of the yeast cells, which are quite different to any that I have ever seen, being smaller in diameter and more ovoid than either German or any other English yeast. It is not so much the ingredients mixed with it, as the peculiarity in the yeast itself, which makes it different to other yeast; and you may rely on it that this is the whole secret. It was also greatly contaminated … and is not calculated to produce a sound-keeping ale; in fact, any brewer’s chemist would condemn its use in the brewery, and, as you remark that the grout ale only keeps one month in the winter and a few days only in summer, this plainly carries out what I say. Yeast so contaminated will produce lactic acid, in preference to alcohol; moreover, it is a well-known fact, that the lactic fermentation is more quick in its action than alcoholic. Besides the above, I discovered … that common cane-sugar was present. We may then consider that grout consists of — first, yeast (torulae) cells, having a very uncommon appearance, and contaminated greatly by bacteria, vibrios, penicillum glaucum, and the putrefactive ferment preponderating; second, wheat starch or flour; third, albuminous matter in large quantity, probably eggs; fourth, chloride of sodium; fifth, common cane-sugar; sixth, ground malt and hops.

As I before remarked, there is nothing very peculiar in grout, excepting the torulae cells. Bakers from time immemorial have, in out-of-the-way places, been used to make their own ferment, and the products agree very much with your grout. At best it is a very poor mess, and not to be compared with German yeast, neither do I consider that it is a proper or safe thing to administer, especially in the summer; and I think it very probable that if you can trace it back where it has been largely consumed in ale, sickness would be far above the average in that locality … The grout fermentation is what we should consider very quick, and I attribute its quick action not particularly to any constituent of the yeast, or to the peculiarity of the torulae cells itself, but to the action of lactic organisms, with which the yeast is greatly contaminated …  If it were considered desirable to imitate grout ale, I have not the least doubt it could be done with ordinary yeast; but with this difference, that in all probability it would be an immense improvement.

 None of which would have come as welcome news to the white ale brewers, or indeed to their customers, especially as Mr Karkeek was not only a noted local historian, but also medical officer for Torquay. Given his influence, it may be no coincidence that it was around this time that white ale started to disappear, so rapidly, in fact, that less than 20 years later it had disappeared almost entirely. 

 He did, however, give details of two recipes passed on to him by two white ale brewers, which provide a vivid insight into the brewing process. The first explained that 

 the ale is always prepared in small quantities, and three bushels of malt to be used at one time is found a suitable quantity. From these three bushels from 30 to 36 gallons of worts are taken, just as the brewer wishes to give a more or less fair quality. About the same quantities or ‘lengths’ of worts are then taken as for sixpenny ordinary or common beer; but instead of using one pound of hops to the worts for each bushel of malt mashed, only about two ounces are used for white ale, and the hops are boiled with the worts in the copper in the usual way. After the worts are cooled down in the cooler they are run into a tun to ferment, and at the time of turning, 14 lbs of wheaten flour, a number of eggs at discretion, and the ferment called grout (half a pint) are added. Ordinary white ale can be used four days from the brewing, and will keep a month in winter, but not more than a week in summer, and the good or bad quality of the grout appears to very much affect the keeping properties of the liquor. Hundreds of hogsheads are drawn on the third day of brewing, but the fourth day is usually the first of perfection. Many successful brewings occupy a period as follows — the quality of the grout again appearing to materially regulate the time after it has been added: Mash on Mondays at seven; brewing over and worts cooled down by six pm., when the grout, flour, and eggs are added. On Tuesday morning, about eight, the ale can be turned into small open wooden vessels, called ale cans, and at any time in the following day (Wednesday) the ale can be sent into consumption in any vessel and used. The fermentation still goes on in the ale cans.

 The second brewer described the process as follows:

The water for the first mash (170 degrees) being put into the mash tun, I put into it two bushels of malt — the mash-stick would then stand without holding. Cover the mash tun with sacks to keep in the steam; remain three hours; draw off, measuring the liquor that you may know what quantity of boiling water is required — I made about thirty gallons — for the second mash, allowing for reduction in steam, etc. Cover this as before, and stand two hours; put the whole into the copper, boiling gently two hours; put 1lb. of hops in at the same time, that all may boil together; then draw off through a strainer into the cooler. When cooled down to 100 degrees, put in one quart of grout, and stir it well; then take 15lbs. of best flour, and strew it evenly over the liquor; of course this is in a cask, being transferred from the cooler, which I had omitted to mention; the mash tun will do after the grains are removed; cover up well with sacks, it must be kept warm. The following day lift up the sacks gently; don’t allow a rush of cold air to chill it. If you find it bubbling too much — experience must guide you — withdraw some of the sacks. The next day it will be fit to draw off, and put into jars. We do not always put eggs, but it improves it very much, and we sometimes call attention to the number of shells lying about the courtlage as a proof. It is generally understood, but as yours would be for your own consumption, a dozen well beat up with a little of the liquor, and put in at the same time as the grout, would do it a deal of good.

 Despite the mystery – real or imagined – surrounding the use of ripening, it is clear that white ale differed fundamentally from anything we would recognise as ale today, due to the use of eggs and the imperative for it to be drunk within a few days. It was this – linked almost certainly with health concerns – that led to its demise. By the late nineteenth century, home-brew pubs were dying out as breweries bought them up and supplied them with their own beer. White ale did not lend itself to production on an industrial scale; the logistics of brewing, distributing and selling it within a limited timeframe would have been intractable. White ale had to be brewed in – or very close to – the places where it was going to be drunk; as home-brew houses disappeared, it was inevitable that white ale would disappear as well.

 That said, it took a long time to die out, although it nearly succumbed in 1855 when new legislation was introduced. On 30 October 1855, the Sherborne Mercury reported that

one of the favourite liquors with many persons in the south and west of Devon is white ale. The brewing of this liquor is now prohibited, as it contains other ingredients besides malt and hops. At this the brewers and drinkers of white ale are much displeased. The makers of the grout or ripening will be great losers by the prohibition, as its composition is known but to a few, who obtained a good profit thereby.   

Faced with the loss of their livelihood, white ale brewers organised a petition. This forced a change of heart, and on 17 November the Exeter & Plymouth Gazette published a letter from the Board of Trade, acknowledging ‘the receipt of an application from brewers of white ale in Devonport and other parts of Devonshire’ and informing them ‘that it is not the board’s intention to interfere with the process as at present practised’.

White ale brewing was an important business in Plymouth at the time. Of the 122 inns listed in the 1852 Directory for Plymouth, Stonehouse, Devonport, Stoke & Moricetown, 29 brewed white ale, while of the 126 beerhouses, 15 were also white-ale brewers. White ale was brewed at some of the best inns in town, such as the Old Four Castles in Old Town Street.

The Old Four Castles on Old Town Street, Plymouth, in a photograph from 1894, the year before it was closed and demolished.
The Old Four Castles on Old Town Street, Plymouth, in a photograph from 1894, the year before it was closed and demolished.

One visitor described arriving there on Christmas Eve 1847 to find ‘bowls of hot punch, or egg flip mulled from the white ale for which this locality is famed … steaming on the table of every guest room in the inn’.

By the time of the 1895 Directory, however, only two white-ale brewers were left in Plymouth – William Rawlings at 1 Well Street and James Mitchell at 103 Exeter Street. When James Mitchell died in 1930, an obituary recorded that, ‘as the last brewer of the famous white ale in South Devon [he] was well known in the licensing trade. After being in business for 36 years he retired in 1922.’

Although we are fortunate in having a record of the extent of white-ale brewing in Plymouth in the mid-nineteenth century, there are no similar records for the South Hams or for Tavistock, where it was also popular. The following selection of newspaper reports from across the area, however, will give some idea of how deeply white-ale drinking was woven into the fabric of everyday life:

 Kingsbridge: An inquest was held here on Monday, touching the death of Richard Wildman, who died in consequence of falling into a lime kiln, when in a state of intoxication. The deceased was a dealer and hawker of earthenware, and had been drinking white ale on the night of the 7th instant, with a companion called Lakey, until both became inebriated; it being late, instead of returning to their lodgings, they reeled to Mr Steer’s lime kilns, where both of them fell in; the kiln was 16 feet deep. Mr Steer, hearing a noise, left his bed and got them out of the kiln but Wildman was so much injured that he died on Saturday last. Verdict: Died by falling into a lime kiln when in a state of intoxication.(Exeter & Plymouth Gazette, 25 March 1837)

Kingsbridge, Prize Ploughing & Spade Husbandry Match: This match (or rather an apology for one) came off on Wednesday last. The attendance was meagre in the extreme, four ploughs only were set to work, and the company altogether consisted of about 150 to 200 persons – a dozen of them only being yeomen or tradesmen. The dinner took place at the Golden Lion Inn; thirteen only sat down, and though a few tradesmen joined in the evening, there was great difficulty in keeping the steam up. No prizes were awarded, but the ploughmen and boys had a good dinner of beef and pudding with white ale to wash it down. (Western Times, 11 March 1848)

 Dartmouth [from a report of a smuggling trial]: William Blight, landlord of the Ship in Dock Inn, Dartmouth, deposed that in December last he took an empty hamper from the Commercial Inn to Mr Nichols, and which he took back to the same inn filled. He could not say what were its contents, but he believed one of the parcels contained loaf sugar. The defendant rewarded him with a pint of white ale. (Exeter & Plymouth Gazette, 1 February 1851)

East Allington, with the Fortescue Arms on the left
East Allington, with the Fortescue Arms on the left

East Allington: The hay has been saved in a very bad condition in this neighbourhood. The harvest here is likely to be very late; the crops have been materally injured by the heavy rain, consequently they will now be below an average. A new game has been got up in this village by the lovers of white ale, called the Ted-dle-ey-wirk, which is likely to prove beneficial to the landlord. (Western Times, 6 August 1853)

 Loddiswell: Died April 2nd at Loddiswell, Miss Betty Taylor, aged 89 years. She was landlady of the Church House Inn [destroyed by fire in 1878], upwards of 50 years, and was celebrated for keeping good white ale, so much so, that for the last 20 years strangers frequently visited Loddiswell to have a pint of Aunt Betsy’s white ale. (Sherborne Mercury, 15 April 1856)

 Salcombe: The Fifth of November was duly regarded here on Friday last in rather an amphibious manner. A ‘guy’ having been prepared and a bonfire lighted, the figure was taken off in a boat to the middle of the harbour, where it was placed on planks and ignited. The night was dark, and the burning effigy produced a brilliant effect, to the delight of some 300 persons who assembled to witness it. The funds for these celebrities [sic] are collected by public subscription. One of the items in the expenditure is for ‘cakes and white ale’, which latter is of an entirely local character, being unknown beyond twelve miles in this place and Kingsbridge. The said ale, the old people say, was formerly brewed as a medicine; it is now the general drink of the district. (Western Times, 13 November 1858)

 Kingsbridge: On Monday Joseph Welcome was charged … with brawling in the church on Sunday morning. The defendant pleaded ignorance of the affair altogether. He had taken a little too much white ale, and therefore was unconscious of what was laid to his charge. As the case was not pressed the magistrates fined him in the mitigated penalty of £1 including costs. (Western Times, 14 April 1870)

 Dartmouth: A visitor in an interesting article published in a Kidderminster paper records his impression, from which the following is an extract: ‘On the cliff, at the mouth of the river, which is remarkably narrow, is what remains of Dartmouth Castle, a building from whence many a stirring scene has been viewed … Looking up at the weather-worn tower of the old castle, where I expected to see the lady looking out for the return of him who would never see her more, I beheld the word ‘Refreshments’! It was painted in great flaring yellow letters on an immense signboard that seemed to smother and overpower the grey time-honoured pile. Sick at heart, and dreading lest a closer examination should reveal the inevitable illuminated card, whereon a frisky clown is knocking out the eye of a clerical-looking gentleman with the cork from a bottle of ‘Bang-up Pop’, I fled. My companion followed me and arriving at an inn earnestly entreated me to try a glass of white ale; or, as he poetically and playfully put it, ‘to drown my sorrow in the flowing bowl’. I had never before had an opportunity of tasting the celebrated white ale of Dartmouth, and I shall survive my grief if a second opportunity does not occur. It is a thick, light mixture, and looks, but doesn’t taste, like egg-flip; and I was informed by the landlord that the manufacture of the article with which it is fermented is a profound secret. It is to be hoped that the present member of the family who possesses it will die without committing the recipe to paper. The ale is drawn from an open, deep tub, and will only keep a few days; a rapid draught is therefore necessary, and, in reply to a question as to whether he obtained this, mine host said he sold three times as much of it as of the ordinary ale. A chemist’s shop next door would, I should imagine, be a good speculation. (Western Times, 3 May 1872)             

 Tavistock: Two inhabitants of Tavistock, better known than valued, have this week passed away for ever. ‘Barnicott’s Ghost’ will never more shuffle through our streets, stick in hand, in clothes ‘a world too wide’ for his shrunk form, and mutely appealing by his poverty-stricken aspect to the compassion of the charitable. Often have we seen him, made almost mad by tormenting fiends in the shape of boys, brandishing his faithful staff, and attempting, uttering much strong language the while, to bring it swiftly on the backs of his tormentors, who, however, generally eluded his vengeful pursuit, and turned with fresh jibes on the pursuer. Wretched as the poor fellow’s life was, he only very recently surrendered the freedom of the streets, with all its sorrows, for the confinement of the workhouse, with its comparative comforts. What a cheerless, melancholy thing life must have been to him! And no less pitiable was the life of that other well-known inhabitant named ‘Mad Martin’. Nature had not been kindly to him in the bestowment of her gifts; certainly she did not give him the charm of personal beauty. Perhaps his most conspicuous characteristic, after his face, was his ceaseless thirst, and his deepest sorrow that the supply of white ale was limited. Life for him presented only two objects worth striving for – ale and tobacco. What to him, and to such as him, was all our boasted civilization, our arts, our letters, our churches, and our chapels – nay, the very idea of religion itself? To this poor creature getting drunk was the highest form of enjoyment, the one thing needful, without which life was but a dreary blank. Verily, the lives of such men as these should make us reconsider some of our smug conclusions, and force us to think that there are still a few moral problems beyond the range of our philosophy. (Exeter Flying Post, 6 January 1875)

 Blackawton: Henry Hambling of Blackawton was charged by PC Toms with keeping open the Dartmouth Inn during prohibited hours on the 27th ult. The officer stated that he saw several men in the house on the night named at a quarter to eleven, and also saw a pint of white ale carried to a man named Cole, who paid 2½d for it. Mr W Davies, who appeared for defendant, said his client was now ill in bed, and was unwell on the day in question. Mrs Hambling locked the bar at ten, told the servant to clear the house and went upstairs to her husband. This being the third conviction against Hambling, he was fined £3 and 15s costs. (Western Times, 10 May 1878)

The Providence Inn, East Prawle, now a private house
The Providence Inn, East Prawle, now a private house

East Prawle: On Saturday afternoon an inquest was held at the Providence Inn, East Prawle, by Mr Sidney Hacker, District Coroner, on the body of Joseph Partridge, 73 years of age, who met with his death in somewhat peculiar circumstances on Wednesday. It appeared from the evidence that the deceased, who resided at East Portlemouth, went to Chivelstone and recorded his vote on Wednesday. He afterwards went to the inn, and remained two or three hours, but the only drink he took was two half-pints of white ale. On leaving the inn he was met by two boys, who called him an Old Tory, but deceased declared they were mistaken, as he had voted for Mildmay. A few yards from the point where the boys met him the deceased fell down, his head resting in a pool of water which was collected at the side of the road. Deceased was afterwards found quite dead … The jury, after considering the evidence, returned a verdict of accidental death. (Exeter & Plymouth Gazette, 7 December 1885)

 That report from East Prawle is the last reference we have found to white ale being sold outside Plymouth. When white-ale brewing finally died out is, like so much connected with this elusive beverage, a mystery. Occasional references to it continued to crop up long after its demise, however, in books on Devon and in local newspapers. Some of them perpetuated old myths, others came up with new ones. None were as bizarre, though, as those which featured in an exchange of letters in – of all places – The Times, as Britain braced itself for war in 1939. On 22 April 1939, a Mr HE Vickery, the editor of a magazine called Bottling from Guildford, wrote that

 white ale … was discovered by chance about the middle of the eighteenth century. A farmer who lived near Loddiswell had a sick cow, and he called in the local farrier to prescribe for her. The farrier gave her a drink which contained, among other ingredients, malt and flour. Some of this drink was left over and it began to ferment. A curious person tasted it, found it good, and after a few experiments white ale was produced. It was brewed from malt and hops, wheaten flour and eggs, and then a curious ferment called grout was added.

This prompted a reply from Mr E Kerry Cox, Senior Ale Conner of the City of London:

 I have always understood that the beverage was an ancient one and subject to tithe for many years. As with so many home-made beverages, however, the manufacturing processes seem to have become much simpler in course of time. Fifty years ago it was still being brewed, but only of ordinary ale with eggs and flour mixed, although it was even then so nutritious that Devon labourers regarded it as ‘meat, drink and cloth combined’. Earlier, as Mr HE Vickery’s letter suggests, more trouble was taken with the concoction, malt, hops, flour, spices, and a mysterious compound known as grout or ripening being used.

 At which Mr JI Mosley from Shaldon weighed in, declaring that

 white ale is a thing of the past. A few years ago I made inquiries in the Kingsbridge district and found that it had been made at one of the inns at Marlborough [Malborough]. There is a local tradition that its thickness and colour were due to a mysterious ingredient called grout, which was really pigeon’s dung. I was told that the last manufacturer, who died without passing on the secret, did indeed keep a number of pigeons.

 You can almost imagine the roar of laughter that greeted Mr Mosley’s anonymous informant, when he told his cronies what he had said to the snooper from Shaldon who had come asking a lot of damn-fool questions. They would have been even more delighted had they known the story would one day appear in The Times.

Strangely enough, no one from Devon could be bothered to refute the story about the pigeons. That was left to Sir Garrard Tyrwhitt-Drake of Cobtree Manor in Maidstone:

 When I was a pupil at Messrs Fox’s Brewery at Farnborough, Kent, in 1900 the firm was celebrated for its white ale. This beer was brewed the same as any other beer, but from the very palest coloured malt and sugar, it was the colour of pale straw, but tasted just like any other ale of similar strength. There certainly was no question of grout or pigeons connected with it!    

 And there, sadly, with reference to a white ale that bore no relation to the white ale of Devon, this Beachcomber-like exchange of letters came to an end.

Over a century after white ale finally died out, given the advances in brewing technology and the growth of microbreweries, a revival would seem well overdue. It is a pity that something that was so much a part of Devon’s heritage for well over 200 years, and had such passionate adherents, should have disappeared so totally. With the current level of interest in heritage beers and rare beer styles, there seems no reason why a home-brew pub serving Devon white ale, either in Plymouth or the South Hams – and subject to the quality controls standards so conspicuously absent when Mr Karkeek carried out his investigations – should not be a magnet for beer-lovers from across the world. Penpont Brewery over the border in Launceston have already stolen a march on brewers in Devon by brewing a traditional – and reportedly very palatable – white ale in 2011, and home-brewers as far afield as Portland in Oregon, have blogged their success in coming up with something akin to this most recondite of tipples.

So the gauntlet is down. We surely cannot be alone in wanting try this most tantalising of lost beers. It was the most popular drink in the South Hams for generations, as well as the staple tipple of many drinkers in Plymouth. If nothing else, we owe it to them to give it a go and see what all the fuss was about.      


New Beer Book Launched in Bath

andy hamilton bookAt 8pm next Thursday (5 December) in Toppings Bookshop on the Paragon in Bath, Andy Hamilton will be launching Brewing Britain: The Quest for the Perfect Pint, a compendious and entertaining guide to beer styles, breweries, home brewing, and a good deal more. Priced at £12.99 – a bargain for a 400+ page hardback – it is eminently readable and suitable both for those new to the subject as well as more as more seasoned – or indeed saisoned – readers. The chapters on the basic ingredients of beer – hops, malt, yeast and water – are packed with interesting information, and the chapters on beer styles include detailed tasting notes on a range of different beers, some familiar, some tantalisingly unfamiliar.

This is bound to be a great night, and you’re advised to book early. Tickets are redeemable against purchase of the book, and beer will be supplied by Bath Ales. Details of the event can be found at Toppings website and more information on the book can be found at Andy Hamilton’s website.


Two Bath Pubs Reopen

The King's Arms gets a makeover ready for its reopening on 2 December
The King’s Arms gets a makeover ready for its reopening on 2 December

Two Bath pubs that closed suddenly over six months ago are to reopen – revamped and revived – in December. Given the number of recent closures that have quickly become permanent, there were fears that the loss of the Green Park Tavern on the Lower Bristol Road and the King’s Arms in Monmouth Place – both owned by Enterprise Inns – would become permanent too. Happily, this was not to be the case. The King’s Arms has had a thorough makeover, its opening party was last night (29 November) and it opens for business on 2 December. As befits one of Bath’s top music pubs, live music will once again be high on the agenda and punters will doubtless be impressed at how the old place has been transformed. The Green Park Tavern, set to reopen later in December, is to re-emerge in a somewhat different form, as the GPT Smokehouse & Bar, courtesy of the former owners of Banglo, the bar and restaurant next door which was badly damaged in an arson attack in May. The Green Park Tavern was also one of the city’s top music venues – the gigs lined up there for the Bath Folk Festival had to be hurriedly rescheduled at the nearby Belvoir Castle pub when it closed – and live music will be once again be on the menu at the renamed GPT.

All of which is very good news, with two of the Bath pubs that closed in 1913 up and running again – and with enthusiastic new owners rather than holding companies. Unfortunately, there is still no news on the fate of the Wadworth-owned Olde Farmhouse on Lansdown Road, once the city’s top jazz venue but now sadly silent. There were once plenty of pubs in this part of town – one of the last was the Belvedere Wine Vaults across the road which closed in 2012 – but, apart from the Rising Sun on Camden, all have now closed. We can only hope that, like the King’s Arms and the GPT, the Old Farmhouse soon finds a saviour – especially as it lies in one of the most sought-after residential areas in Bath.